Tuesday, May 5, 2020

The Process free essay sample

July is forever pink. Three is eternally green. Sunday is unquestionably yellow. The morning is always lavender. I cognitively associate words and themes of the world around me with color, although for seventeen years I had no idea why. Despite how intrigued I am by color, I only began to understand its significance this past summer when I entered a studio at the Art Institute of Chicago and picked up a paintbrush. Ill never forget the words. I was staring head on at the model posing in front of me, slightly uncomfortable at the prospect of painting a nude man, when my teacher uttered, Squint your eyes and concentrate. I later realized he was actually teaching me how to begin painting from life. The more I listened to his words, jumbled up in a mixture of art and philosophy, the more I began to understand what he was really saying. We will write a custom essay sample on The Process or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page My eyes began to perceive nuances of both chiaroscuro and color intensity on the nude man. It was bizarre how a certain confidence crystallized within me as my vision of the man grew more distant and hazy. The mans outline was of no value to me. How could I paint him precisely, anyway? His body was natural, inclined to move, and perhaps that would be the very beauty of painting him. I mixed my palette for a good twenty minutes. The palette began with six classic colors and ended with over twenty unidentifiable colors. Right before touching the bristles of the paintbrush to the unsoiled canvas, I felt a little hesitant, like I always did before beginning a painting or for that matter any creative endeavor. But as I began to paint, I also felt a willingness to defy any previous anticipations of what my piece had to become. The first strokes were bold and unrestrained. The canvas bled with color. I began to feel a connection with my subject almost immediately. Vincent Van Gogh would have been proud. Im not sure how many times I encountered him in my life, but it began when I set sight on his still life, Sunflowers. Van Gogh was pure genius. His painting Sunflowers was no still life; it always seemed alive. The overlapping strokes and texture brought a liveliness and emotional dimension to the painting for me. I wanted to be Van Goghs disciple, awake and ready to learn the art of painting through emotion. When I paint I am at a place in my life where nothing else even comes close. Results are no longer my goal; it is simply the process that matters. Placing the paintbrush to the canvas becomes just as satisfying to me as the end result. It is through painting that I peacefully walk away from the overwhelming chaos of my everyday life. And it is through painting that I have learned to redefine my definition of success. Painting consumes me, but in such a way that I am constantly rejuvenated. * * * Nine hours later my painting was complete, or so it seemed. I had painted fearlessly, but I had also severely underestimated what nine straight hours of painting could do to me. After just one day in the studio, I felt like I had already begun a personal journey of correlating art to life. An artist was simply not a creator of his or her own craft, but a thinker and communicator. An artist spoke what could not be spoken. And an artist became an artist the moment he or she decided. Before that day in the studio, I hadnt the slightest confidence to call myself an artist. I was just another student who happened to enjoy art. Today, however, I realize that I have always been an artist.

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